{"id":11932,"date":"2025-12-22T12:44:03","date_gmt":"2025-12-22T17:44:03","guid":{"rendered":"https:\/\/sentient.project-sites.com\/prime\/?post_type=lecture&#038;p=11932"},"modified":"2026-01-27T17:04:10","modified_gmt":"2026-01-27T22:04:10","slug":"american-artistry","status":"publish","type":"lecture","link":"https:\/\/sentient.project-sites.com\/prime\/lecture\/american-artistry\/","title":{"rendered":"American Artistry"},"content":{"rendered":"<p>Even before Gershwin set foot in Carnegie Hall, American composers were making their mark in classical music:  slow to arrive on the scene but eagerly accepted once they stepped through the door. But what makes their music sound American, and why didn\u2019t they charge into the field sooner than they did? Let\u2019s find out together! Copland and Bernstein stand high on the list of important American classical composers, but there were names before them and after as well. Let\u2019s discover them together!<\/p>\n","protected":false},"featured_media":0,"parent":0,"menu_order":423,"template":"","meta":{"_acf_changed":true,"_et_pb_use_builder":"off","_et_pb_old_content":"","_et_gb_content_width":""},"categories":[460],"tags":[],"our-team":[164],"series":[622],"class_list":["post-11932","lecture","type-lecture","status-publish","hentry","category-betsy-schwarm","our-team-betsy-schwarm","series-classical-music-insights"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v26.9 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>American Artistry - Primetime PRESENTERS<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/sentient.project-sites.com\/prime\/lecture\/american-artistry\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"American Artistry - Primetime PRESENTERS\" \/>\n<meta property=\"og:description\" content=\"Even before Gershwin set foot in Carnegie Hall, American composers were making their mark in classical music: slow to arrive on the scene but eagerly accepted once they stepped through the door. 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